Gef Fox, curator of the dark fiction review blog Wag the Fox, cornered me a few weeks ago for an interview of sorts. He asked me all sorts of things, including my favorite dirty limerick (which I’m sure he now regrets). Here’s an excerpt:
Gef: Along with your short fiction, there are the novels in your Monochrome Trilogy. How much of a gear shift is it for you to go from one to the other?Todd: There’s a drastic difference between my novels and short fiction. The Monochrome novels are way more complex than the stories in the ULT series. Conceptually, the Monochrome novels are more “literary” in scope. The things a typical horror fan looks for—the gore, suspense, dread, et al.—are in there, but with a bigger subtext. The ULT stories are more direct, and so far have proven to be far more gory, disturbing, and violent.Shifting between the two has proven challenging. After completing my last novel, I feared that every “short” idea I had would balloon into another novel; now that I’m gearing up to work on the last Monochrome novel, I’m having a more difficult time piecing together the smaller facets of the plot because I’ve spent the last year thinking in the confines of shorter fiction.Going from one to the other requires a completely change of approach. It’s kind of like looking at one of those “Magic Eye” images. You have to stare at it for a long time before the full picture comes into focus, and the way you do it once isn’t necessarily the way you’ll do it for subsequent viewings.